{"id":1090,"date":"2015-05-16T11:39:54","date_gmt":"2015-05-16T15:39:54","guid":{"rendered":"http:\/\/www.markgustavson.com\/blog\/?p=1090"},"modified":"2016-10-02T11:51:59","modified_gmt":"2016-10-02T15:51:59","slug":"agon","status":"publish","type":"post","link":"https:\/\/www.markgustavson.com\/blog\/agon\/","title":{"rendered":"Agon"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1091\" src=\"https:\/\/www.markgustavson.com\/blog\/wp-content\/uploads\/2015\/05\/agon_375.jpeg\" alt=\"Agon\" width=\"375\" height=\"300\" srcset=\"https:\/\/www.markgustavson.com\/blog\/wp-content\/uploads\/2015\/05\/agon_375.jpeg 375w, https:\/\/www.markgustavson.com\/blog\/wp-content\/uploads\/2015\/05\/agon_375-300x240.jpeg 300w\" sizes=\"auto, (max-width: 375px) 100vw, 375px\" \/><br \/>\nI attended a performance of &#8220;Agon&#8221; last weekend by the New York City Ballet. It was my first time seeing &#8220;Agon&#8221; as a ballet and it was a memorable performance. I am a fan of Balanchine&#8217;s no scenery and leotards: no where to hide\u2014just music, dance, and performance.<\/p>\n<p>So much has been written and said about Igor Stravinsky&#8217;s shift to or towards 12-tone composition, some of which is found in &#8220;Agon.&#8221; Often Stravinsky&#8217;s reverence for Webern is noted and is obvious in the klangfarbenmelodie passages. However, when listening to last week&#8217;s performance I could not help hear Var\u00e8se. Stravinsky&#8217;s use of mixed winds, brass, percussion and Morse code like rhythms all brought to mind Var\u00e8se (not the music influenced by Stravinsky) and in particular &#8220;Octandre.&#8221; In a few days I will construct a few clips to demonstrate what I hear(d).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I attended a performance of &#8220;Agon&#8221; last weekend by the New York City Ballet. It was my first time seeing &#8220;Agon&#8221; as a ballet and it was a memorable performance. I am a fan of Balanchine&#8217;s no scenery and leotards: &hellip; <a href=\"https:\/\/www.markgustavson.com\/blog\/agon\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":504,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[196,201,199,198,200,197],"class_list":["post-1090","post","type-post","status-publish","format-standard","hentry","category-music","tag-agon","tag-anton-webern","tag-edgar-varese","tag-igor-stravinsky","tag-new-york-city-ballet","tag-octandre"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Agon - Mark Gustavson is Sounding<\/title>\n<meta name=\"description\" content=\"Stravinsky&#039;s Agon was not only influenced by Webern but also Var\u00e8se.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.markgustavson.com\/blog\/agon\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Agon - 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