{"id":812,"date":"2014-01-03T11:06:47","date_gmt":"2014-01-03T16:06:47","guid":{"rendered":"http:\/\/www.markgustavson.com\/blog\/?p=812"},"modified":"2014-05-13T20:00:45","modified_gmt":"2014-05-14T00:00:45","slug":"another-review-of-dissolving-images","status":"publish","type":"post","link":"https:\/\/www.markgustavson.com\/blog\/another-review-of-dissolving-images\/","title":{"rendered":"Another Review of Dissolving Images"},"content":{"rendered":"<p>This review is from the current January\/February, 2014 issue of <em>American Record Guide<\/em>:<\/p>\n<blockquote><p><em><strong>GUSTAVSON<\/strong><\/em>: Chamber Music<br \/>\n<em>Theresa Fream, Esther Noh, Sharon Polifrone,<\/em><br \/>\n<em> Cyrus Stevens, v; Keith Conant, va; Christopher<\/em><br \/>\n<em> Finckel, John Popham, Kim Scholes, vc; Margaret<\/em><br \/>\n<em> Lancaster, Keith Underwood, fl; Edward Gilmore,<\/em><br \/>\n<em> Vasko Dukovski, Alan Kay, cl; James Rogers, trb;<\/em><br \/>\n<em> Lisa Moore, Stephen Gosling, Christopher Oldfather, pno;<\/em><br \/>\n<em>Richard Carrick, Anthony Korf , cond;<\/em><br \/>\n<em> Albany 1424\u201478 minutes<\/em><\/p>\n<p><em> Brooklyn-born clarinetist-composer Mark<\/em><br \/>\n<em> Gustavson offers a collection of his chamber<\/em><br \/>\n<em> music from the late 1980s through the late<\/em><br \/>\n<em> 1990s, recorded here with three different New<\/em><br \/>\n<em> York groups over a span of 20 years. Inspired<\/em><br \/>\n<em> by the improvisation aesthetic in jazz and<\/em><br \/>\n<em> Southeast Asian music, Gustavson strives for<\/em><br \/>\n<em> an atmosphere of seemingly spontaneous<\/em><br \/>\n<em> sound and rhythm even in very strict notation.<\/em><br \/>\n<em> The program includes <\/em>Dissolving Images<br \/>\n<em> (1986) for solo piano; <\/em>Jag<em> (1991) for a sextet of<\/em><br \/>\n<em> violin, cello, flute, clarinet, trombone, and<\/em><br \/>\n<em> piano; a full-length four-movement\u00a0<\/em><br \/>\nQuintet<em> (1993); <\/em>Trickster<em> (1997) for unaccompanied<\/em><br \/>\n<em> clarinet; and <\/em>A Fool\u2019s Journey<em> (1999), a<\/em><br \/>\n<em> two-movement quasi-programmatic sextet for<\/em><br \/>\n<em> violin, cello, flute, clarinet, piano, and percussion.<\/em><\/p>\n<p><em>New York City clarinetist and sound engineer<\/em><br \/>\n<em> Edward Gilmore leads string quartet Con-<\/em><br \/>\n<em> Tempo in the clarinet <\/em>Quintet<em> and stands<\/em><br \/>\n<em> alone in <\/em>Trickster<em>. Australian-born avant-garde<\/em><br \/>\n<em> pianist Lisa Moore opens the recital with <\/em>Dissolving<br \/>\nImages<em>. The group Either\/Or performs<\/em><br \/>\nJag<em>, and the musicians of Parnassus play their<\/em><br \/>\n<em> own commission,<\/em> A Fool\u2019s Journey<em>.<\/em><\/p>\n<p><em>Gustavson\u2019s music fuses modernist gestures<\/em><br \/>\n<em> with an Expressionist aesthetic. Each<\/em><br \/>\n<em> score simmers with emotional vigor, from nervous<\/em><br \/>\n<em> quiet murmurs to sudden violent outbursts.<\/em><br \/>\n<em> The often abstract harmonic language,<\/em><br \/>\n<em> though, requires a high level of professionalism<\/em><br \/>\n<em> to transcend. While all the performers<\/em><br \/>\n<em> bring enthusiasm and commitment, the level<\/em><br \/>\n<em> of sonic refinement varies greatly. Some players<\/em><br \/>\n<em> have complete control of their craft, others<\/em><br \/>\n<em> not so much, and so appreciation of Gustavson\u2019s<\/em><br \/>\n<em> efforts can be difficult.<\/em><\/p>\n<p><em> Clarinetists interested in the quintet and<\/em><br \/>\n<em> the unaccompanied <\/em>Trickster<em>, for example, will<\/em><br \/>\n<em> welcome Gilmore\u2019s expressive vision but may<\/em><br \/>\n<em> be turned off by his much too free-blowing<\/em><br \/>\n<em> set-up and his persistently spread tone. At the<\/em><br \/>\n<em> same time, though, pianists who check out<\/em><br \/>\nDissolving Images<em> will be impressed by<\/em><br \/>\n<em> Moore\u2019s exquisite touch, riveting musicianship,<\/em><br \/>\n<em> and thorough command of the keyboard.<\/em><br \/>\n<em> Patrick Hanudel<\/em><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>This review is from the current January\/February, 2014 issue of American Record Guide: GUSTAVSON: Chamber Music Theresa Fream, Esther Noh, Sharon Polifrone, Cyrus Stevens, v; Keith Conant, va; Christopher Finckel, John Popham, Kim Scholes, vc; Margaret Lancaster, Keith Underwood, fl; &hellip; <a href=\"https:\/\/www.markgustavson.com\/blog\/another-review-of-dissolving-images\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54,6],"tags":[],"class_list":["post-812","post","type-post","status-publish","format-standard","hentry","category-dissolving-images","category-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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